We are a group of women (but men are welcome!) who have an interest in textile art and embroidery. We are of mixed abilities and there is no need for you to be able to sew to come and join us - there are no tests!
New members are always welcome - why not call in and join us as a guest for a few months?
Meeting fee for visitors is only £5.
Our meetings vary - we have talks and workshops, show and tell - we also have lots of weekend workshops and playdays. For details of what's coming up (and what's been and gone!) check out our programme below...

Friday, 2 June 2017

Inbetweeners - Members in Print and Making an Exhibition of Themselves

Harold Hare, a piece by talented Halifax member, textile artist Anne Brooke, proprietor of H-Anne Made, featured in the Gallery section of April's "Be Creative with Workbox" magazine. Workbox has recently undergone a revamp and if you haven't seen a copy for a while, it's worth checking out again. 


Harold in the Gallery

The original Harold

Also in print, this time in the 3rd edition of Scheepjes' "Yarn" magazine (another strokeable publication!), is a beautiful Humming Bird tablet case by Liz Barraclough, which features some colourful  ribbon embroidery. Ribbon embroidery is often seen as quite a traditional craft, but Liz has brought it right up to date with this piece. 


The article in the magazine

The tablet case in close-up. Brilliant matching of ribbons and threads, 
and lots of hand-stitching.

Finally, the ridiculously talented Judy Tadman, who is skilled in so many areas and has made the art of rope sculpture her own, has not only turned her hand to wood turning (sorry) but has also managed to combine this with her love of stitch, by documenting her fellow "turners" in amazing machine embroidery illustrations. These were on display at the Birstall Wood Turning Club's open day in May. 








There are some aspects of doing this blog that make me feel really inadequate! 



Saturday, 6 May 2017

May Workshop - Karen Casper

Following on from the May meeting, Karen came to deliver a workshop to members, showing them how to create their own lacy head-pieces, recycling vintage lace and using machine embroidery techniques. Members were very enthusiastic about the time they had spend with Karen, and were grateful for her generosity in showing them how she creates her beautiful pieces. 

Here are their own creations : 


Liz B


Margaret


Sandra


Janice


Abigail


Vanessa


Vanessa


Vanessa

Anne


Wyn


Wyn


Liz K


Jen


Catherine W


Natalie


Kathryn W


Lesley L


Harriet wearing her own piece


Harriet


Davina


Sue K


Deborah

May Meeting - Karen Casper - Tulle and Candyfloss

Our May speaker Karen Casper made such an impression on some of us at the Regional AGM that we couldn't wait to drag her over the border from Lancashire to talk to us about her work. It took a while, but she finally made it! 
Karen, who is a ludicrously youthful 40, told us that she didn't even pick up a needle until she was in her 30s, when she decided to do a BTech. Her particular passion is lace, and she loves to upcycle vintage lace into new pieces, especially if it is damaged and would otherwise never be seen. She explained that she stitches her pieces, in the main, with cream thread, and then paints them with procion dye in order to get the watercolour effect that she likes. 
Karen's work caught the eye of fashion editors even while she was studying and her striking structured head-pieces have been used in many fashion shoots as embellishments. She has been commissioned by TV companies and magazines to create work for them to buy or hire, and has also created pieces for collections at the Whitworth Art Gallery, Manchester Museum, and Gawthorpe Hall. 
For her Foundation Course, she made a huge skirt which was inspired by vintage fairgrounds. Karen incorporated lots of techniques into this piece to show off her skills, including trapunto, devoré, digital printing, and hand and machine embroidery. 

The "Big Skirt"

Details from the big skirt
For her Degree Course, she selected some of the techniques which had been more successful during the creation of the "big skirt", and created a cape inspired by coral. Keen to carry out primary research but unable to travel to a coral reef, she went to the Natural History Museum and drew and photographed coral for her primary design source, but says that sometimes it is impossible, and has no problem with taking inspiration (duly credited) from the internet. 
The Coral Cape

Details from the Coral Cape



For her Masters Degree, she created three veils which were photographed at Gawthorpe Hall and Lytham beach. They were based on Victorian mourning veils and were made from vintage wedding veils. During Karen's research for these pieces she discovered some vintage Cornely embroidery machines, which do surface stitch on net and fragile fabrics. 
The first veil is black and represents heavy mourning, and is embellished with moss stitch. When done on the Cornely machine moss stitch can be easily be pulled out of the fabric so this illustrates the fragile state of the Victorian woman in mourning.
The second veil is purple - Victorian widows and female mourners were allowed to introduce certain other colours into their wardrobe after a year and a day of mourning, purple being one of them. This veil is embellished with moss stitch and also chain stitch, which is more resilient. It also includes pearls, a symbol of tears. 
The Purple Veil

Details from the purple veil, showing the Cornely embroidery

The third veil illustrates the progression from mourning towards a freer life and this was photographed on Lytham Beach to give a more airy feel. 
Karen chose the name "Tulle and Candyfloss" as her identity to give her the freedom to try different things and not be tied down by the title "textile designer", for example. As well as giving talks and teaching at workshops, and her media work, Karen creates bridal head pieces and other body-worn ornaments such as corsage cuffs. 


Also at the meeting, we stitched signatures for the Campaign for Creativity.
"The Campaign for Creativity is employing suitably creative methods to bring its message to life. Supporters are asked to stitch signatures which will form part of a unique cloth petition. The petition began its journey at The Spring Knitting & Knitting Show in London in March, and is now travelling across the UK before being presented to the Education Secretary. 
Stitched signatures can be made at or brought along to any of The Knitting & Stitching Shows and The Festival of Quilts during 2017, or sent to the campaign’s headquarters at the Campaign for Creativity, Twistedthread, 58 White Lion Street, London N1 9PP."

Monday, 10 April 2017

April Playday - UFOs

There were only a few of us at our April Playday - I think that the glorious weather may have had something to do with that - but we got lots of sewing done and had a good chat, and Vanessa provided some glorious chocolate cake. 

Jane was busy on her machine all day, sewing together some quilts she had unearthed whilst packing up for her imminent move to North Yorkshire. They look great - maybe she'll use them in her new summer house / studio (yes, I'm a little bit jealous...)


She's behind there somewhere!


Liz was relieved to complete her froggy zentangle from last year's Branch Challenge...


... she also finished a delightful wall hanging that she started at a Marna Lunt workshop.


Janice spent most of the day making sample cards from her new set of Brusho dyes and came up with some interesting effects, she then did some more work on her Peacock from the Circles Playday. 


Vanessa was working on her vibrant "60s" book which she started in the "splinter" book-making group 


I love the titchy pattern on these pages!



And Mandy did some more work on the never ending scrolling landscape from last year's Regional Summer School. Nope, not finished yet.