Regional Day 2016 - There's no stopping us!

Regional Day 2016 brought further success to Halifax Branch, following our previous years' victories. 
This time it was Anne Brooke who brought home the bacon (so to speak) with her lovely stitched collage of Harold Hare. 

Anne won the Yorkshire and The Humber Challenge Cup, and also the Jo Quinn Award for Creativity, which is judged from every entry into the Regional competitions - quite an achievement! 

Above is Harold Hare, and below a close-up. He is made from collaged paper, which is machine and hand-stitched, and embellished with buttons.  

In addition, Halifax Branch also won second place, with Jane Beck's majestic stag's head, which was started at the Mandy Pattullo workshop a few weeks ago. 

Not satisfied with that, Halifax members also won two of the 16 bags on offer in the now famous "Bag Raffle", where each branch provides a bag in a colour theme of their choice, loaded with stitching and other goodies. Here are Jane and Rona with their spoils...(Jane actually won the "bag" that Halifax had taken)

The two speakers on the day provided lots of entertainment too - Lizzie Wall continued the Hare theme with one of the vestments she was displaying

While the afternoon speaker Stuart Hillard, a previous contestant on the Great British Sewing Bee, was inundated with requests for group photos! 

Here are Halifax members Jane, Anne, Margaret, Davina, Abi and Rona, trying to look like they're having a good time...

June Meeting - Ukranian Lesson

The speaker at our June meeting was a local lady with distant roots. Lysia Anderton was born in Halifax because her family had relocated here following WWII. 

Her mother had been taken from her home in the Ukraine to an enforced labour camp in Germany. She was given an embroidered cloth by her own mother to take with her, and that was the last time that she saw her mother, finally tracing her in the 1990s only to find out that she had died two years before. 

This poignant tale set the scene for Lysia's story about the importance that embroidery has played in the history of the Ukrainian people. First recorded in the 5th Century, the culture of embroidery grew until by the 19th century, a woman would be judged on her embroidery skills by any prospective husband. 

With their enforced move to Britain in the 1940s and 50s, Ukranians were keen to ensure that traditional crafts were not forgotten. 
Long pieces of embroidery called "towels" would be draped over the frames of religious images. Other pieces of embroidery would take pride of place around the house, on chairs, tables and the mantelpiece. 
Worn on special occasions, men's shirts are embroidered around the collar and cuffs, and women's blouses are adorned with flowers and other traditional emblems. 

As in other European countries, the designs on garments vary by region.
As well as actual embroidery, many household items also bear "embroidered" designs, either painted or printed onto their surfaces. 

We examined pieces that Lysia had brought to show us and could see that the designs were predominantly executed in cross stitch, on varying sizes of weave.

Lysia told us that by the time the Ukraine gained independence, the roots of many Ukranian refugees, who had gained employment locally in textile and woollen mills, were stronger in the UK and they decided to stay here to give their children stability. Their status then changed from "refugee" to that of British Settler.