Inbetweeners - Hearts and Flowers (and Seascapes)

There were lots of lovely examples of the different ways we stitch at our last meeting. 

Firstly, Margaret's completed padded heart, which she started at the Heart Playday - you can see how she worked it if you look at the Playday post below. 
Margaret has incorporated numerous techniques into her piece - painted fabric, hand-stitching, traditional and contemporary threads and fabrics - and has included printed paper and shells to give a really rock-pool-y feeling to the finished item. 

Jenny brought a piece which she had hand-stitched, using stem stitch and satin stitch for this lovely display of Spring flowers. 

Finally Julie brought this brilliant piece of weaving, inspired by the endless seascapes that we had made. Julie used yarn from her own sheep, which she had spun and dyed (the yarn, not the sheep), and she too incorporated shells, along with some other yarns and sequins for a very contemporary effect. 

Inbetweeners - Wyn's Strip Quilt

Wyn brought this lovely strip quilt to show us. She made it from one large "jellyroll" of strips which she had bought at one of the shows. In theory, for an experienced machine stitcher, it should take an hour to sew the strips together - I guess that it would take most of us a little longer but it would still be manageable in a day. You would then have to add the wadding and backing. 
Hopefully we will soon see the finished article! 

The above pictures show the right side

This picture shows the reverse

March Meeting and Workshop - Angie Hughes, Icons and Illuminated Letters

At our March meeting, we were lucky enough to have a visit from renowned textile artist Angie Hughes, who travelled from her home in Herefordshire to give us a talk, and stayed overnight for a workshop on the following day. (Not so lucky for Angie, whose car radiator decided that a trip to Halifax was just too much to ask). 
Angie told us about her early work at a pottery, where she learnt screen printing which led by a circuitous route to her printing on fabric and ultimately taking her City and Guilds. Textile art became her career when she realised that she had a talent for talking and teaching. She brought many samples of her work, all of which she generously passed round and allowed us to handle and photograph. These included some of the work we were going to be attempting to emulate at the following day's workshop.

A talented machine embroiderer, Angie also loves hand embroidery and uses both to great effect in her work, which features lots of velvet, felt, bonding and burning. She takes inspiration from artists including Klimt and Hundertwasser.

She is the author of a book which you may own - Stitch, Cloth, Paper and Paint - still available to buy and a valuable source of inspiration, with step-by-step instructions for the mixed media artist. 

Our Saturday Workshop was split into two groups - the "icon girls" and the "letter girls". Angie ran through what we both needed to do to start our pieces of work, and then after that she called us to the front for intermittent demonstrations of the next step to creating our respective pieces of art. 

Here is Angie starting us off, 

and then ably demonstrating how to wind thread onto a bobbin...

(this is a reference to Angie's book, where the photographer insisted on 

taking a shot of Angie threading a needle...)

This is what the icon girls were working towards : 

And this is what the letter girls were aiming for :

Both techniques involved lots of tricky remembering of which bits of foil you had to Bondaweb and iron or not iron before or after stitching but as you will see, our members did a brilliant job. 

The icon girls stitched round a photocopy of an icon which was attached to the back of a piece of black velvet, which had foil, organza and stitch applied to the front before being distressed with a (rather fierce) heat gun (paint stripper - don't try this at home!)  

Here is Abi trying not to burn herself to a frazzle.

And here are the rather brilliant results of their hard work!

Natalie managed to achieve a great distressed look and some expressive facial features where the organza had burnt back

We all loved Margaret's Saint's Tunnock's Teacakes turban 

(I know, it's a halo, but the alliteration just wasn't the same).

Abi has also got some great facial features and is still in one un-singed piece

Janice has machine embroidered lots of detail onto her iconic image

Carol is working on an image of Mary and Jesus, 

this is prior to the burning back of the organza. 

And here are the letters, which are also all "works in progress" : 

This is Sue's lovely background in pink and gold, 

with some lovely machined cable stitch borders

Wyn is working on the cover for a Peacock-themed book 

so chose beautiful blues and greens for her work

Sandra chose to do an unusual diamond background 

which she has started to embellish with hand-stitching

Net time we do a workshop I am going to tie one hand behind Jo's back. 

Here is her lovely almost-finished letter J

This is Mandy's background and the start of her letter A (for Amanda)

which will be attached once all the embellishment is finished. 

These are Alexis' lovely neat circles

This is Helen's background and letter, she has started to attach square sequins and beads to the background for a very luxurious look

This is Liz's piece, which is incredibly neat. She has couched thread around the border and has embellished the felt with french knots. 

Jane used green foil on a dark background which was very striking. 

She has started to machine stitch around the foil. 

Here are some of the pieces together at the end of the workshop. 

Huge thanks to Angie for an inspiring day. 

With any luck, some of these pieces will soon be finished so that you can see how they turned out! 

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Please go on to have a look at the post from last month's Hearts Playday - lots of new photographs have been added.